Sundance Film Festival to Feature Work of Communication Alumni and Professor

This year’s Sundance Film Festival will feature an original documentary produced by students who participated in the “Fannie Lou Hamer’s America” Young Filmmakers’ Workshop, a component of a multimodal project spearheaded by FSU School of Communication professor Davis W. Houck. As FSU’s Fannie Lou Hamer Professor of Rhetorical Studies and in partnership with Tougaloo College, Houck’s research and expertise on the Black Freedom Movement are used in the making of the film “Fannie Lou Hamer’s America” and a corresponding civil rights K-12 curriculum, “Find Your Voice.” The Young Filmmakers’ Workshop is part of this project, and during the summer of 2018, Mississippi Delta high school students participated in this five-week college level workshop taught by School of Communication alumni Dr. Pablo Correa and Joseph Davenport. They quite literally brought FSU’s Media Production program to the Delta with this workshop, giving students the opportunity to gain hands-on experience in making films.

Now Correa, Davenport, and the eight high school students will have their first film credits in the most prestigious film festival on the planet. The film, “I Snuck Off the Slave Ship,” is a twenty-minute documentary short about Lonnie Holley, a “self-taught African American artist” and dimensional traveler, who attempts to sneak off the slave ship America. It will be screened the weekend of January 26, 2019 at the Sundance Film Festival in Park City, Utah.

Read on for the full press release about this incredible accomplishment.

For Immediate Release 

Fannie Lou Hamer’s America film students’ work

featured at Sundance

(Jan. 24, 2019) PARK CITY, UT – Eight Mississippi Delta high school students who participated in a filmmaking workshop conducted by the production team of a new and original documentary, Fannie Lou Hamer’s America, will have their work on another film featured at this year’s Sundance Film Festival.

The film, I Snuck Off the Slave Ship, created by Lonnie Holley, Cyrus Moussavi, Brittany Nugent and Matt Arnett, was originally taken from a song of the same name on Holley’s 2018 album, MITH. In the film, “temporal talismans” guide Holley through the Black American experience. “But his freedom quest always seems to get trapped in the same point of discontinuum; the 4th of July, birthdate of the self-replicating slave ship, ‘America’,” says the film’s synopsis.

The most influential and celebrated film festival in the world, Sundance was founded by iconic actor, director and producer Robert Redford in 1978. Named after his character in Butch Cassidy and the Sundance Kid (1969), Redford sought to attract more filmmakers to his wife’s native Utah, while at the same time actively advancing and celebrating the work of independent storytellers in film and theatre. Held for 10-days every winter, the Sundance Film Festival brings more than 40,000 visitors and celebrities to Park City, Utah and has launched hundreds of films that have gained critical recognition and acclaim, reaching new audiences worldwide.

A self-taught acclaimed artist and musician, this was Holley’s directorial debut. He said his short film is “built from the scraps of his life and hard sci-fi alterna-realities” and is a “testament to imagination as resistance.” The film was shot primarily around Holley’s home in Atlanta, Ga, with additional scenes being filmed in the Mississippi Delta by students from the Young Filmmakers’ Workshop, a component of the multimodal project, Fannie Lou Hamer’s America and its accompanying K-12 curriculum, Find Your Voice. The programs were financed by the W.K. Kellogg Foundation.

Keyshawn Brison, Marquisse Kirkham, Keyshaun Meeks, Keziah Allen, Omar Washington, Trayvion Dozier, Anderson Johnson and Selena Davila were among the 17 students chosen for the first summer workshop held in Indianola in 2018. Instructors for the three teams of students were Joseph Davenport, director and editor of Fannie Lou Hamer’s America, the film’s webspinner and videographer, Dr. Pablo Correa, and videographer and Delta native RJ Fitzpatrick.

“Conducting the first workshop was one of the most exciting, scary, and satisfying things I’ve ever done,” said Davenport. “It felt a lot like jumping out of an airplane. It took a lot of time and work and preparation to get to that point, and even as I was driving to Indianola for the first day of the workshop, I had no idea if I was ready for what was about to happen. But once we got started, and we got to know the students (and vice versa), it was exhilarating from start to finish.”

An established filmmaker, Davenport said he was already scheduled to work with Holley in Atlanta on the film, but saw this as an opportunity for the students.

“I still wanted to be involved, so I worked out a plan with Cyrus Moussavi, the film’s co-director. We would hire my students for a day, on July 4th, while the main production team shot a party in Atlanta. So we ended up being the second unit [film crew]. The goal that I set for the students was simple: capture moments of feeling. They really delivered! I edited the film, and their footage ended up providing a crucial bridge, connecting a fantastical story with moments of earnest feeling.”

The eight students were paid for their work on Holley’s film and will be listed in the end credits, as well as the workshop as a whole.

Selena Davila, a Gentry High School senior at the time, was the only female student to participate in Holley’s film project.

“As a member of the workshop I was nervous going in,” she said. “But my instructors eased me into the wonderful process of film making. I got to interview many people as well as develop a passion that I never knew I could have for it. I now use my voice more often in college and through my writing. I am honored to have been a part of the workshop and I hope more [students] will step out and try it as well.”

Davenport and his team are currently seeking funds and sponsors for the 2019 Young Filmmakers’ Workshop – Sunflower County Film Academy. He will be attending the festival which begins on Thursday, Jan. 24.

“Lonnie Holley is a singular, prophetic artist, and it was a complete honor to be a part of realizing his vision, Davenport remarked. “I’m beyond ecstatic that this film will be premiering at Sundance. It’ll be my first time – of many, I hope – but even more importantly, every student who participated can say with honesty that their first paying gig – of many, I hope – premiered at Sundance.”

Currently in production, Fannie Lou Hamer’s America allows the Mississippi sharecropper-turned-civil rights activist to tell her own story in her own words by means of rare archival and video footage. A rough cut of the documentary is slated for completion in March 2019. Funding was also provided through grants from The Ella Baker Center For Human Rights, the Mississippi Humanities Council, the Women’s Foundation of Mississippi, Freedom Singer Bill Perlman, broadcast journalist Tavis Smiley, Mississippi Delta National Heritage Area (MDNHA), McDonald’s (Retzer Resources of Greenville) and the Phil Hardin Foundation.

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